Historia di e Refineria di Aruba / History of the Aruba Refinery

Historia di e Refineria di Aruba / History of the Aruba Refinery

E video aki ta splika e historia di e refineria di petrolio na Aruba. Es historia aki ta profundamente relashoná ku e desaroyo ekonómiko i sosial di e isla.

This video explains the history of the oil refinery in Aruba. This history is deeply intertwined with the island’s economic and social development.

 

Aruba Bushiribana Gold Mine Ruins

Aruba Bushiribana Gold Mine Ruins

Video imagery of the The Bushiribana Gold Mill Ruins, a historic site located on the northern coast of Aruba. This area marks the remnants of a gold smelting facility that was built in 1872 during the Aruba gold rush, which began in the 19th century after gold was discovered there in 1824. The mill was used to process ore from mines across the island, extracting gold and contributing significantly to Aruba’s economy during that period.

The Bushiribana ruins are characterized by their dramatic stone remains, set against the backdrop of Aruba’s rugged coastal landscape. The structure was built using natural stone from the island, and its design was influenced by the fortifications of the period, intended to protect the valuable operations from pirates and other threats.

Today, the Bushiribana Gold Mill Ruins are a popular tourist attraction, offering a glimpse into Aruba’s rich history. Visitors can explore the ruins, enjoy the scenic views of the surrounding desert-like terrain and the Caribbean Sea, and learn about the island’s gold mining era. The site is often included in island tours, and it’s a favorite spot for photography due to its unique historical significance and natural beauty. Nearby, other attractions such as the Natural Bridge ruins and the Ayo and Casibari Rock Formations contribute to the area’s appeal for those interested in the natural and historical aspects of Aruba.

Cas di Cultura

Cas di Cultura

Cas di Cultura is Aruba’s National Theater and Cultural Center since 1958.

In 1949, after recognizing a great need for a center where art and culture could be practiced, a group of local cultural associations, led by the Cultureel Centrum Aruba, joined forces to develop Aruba’s first Cultural Center. Together, the associations founded the Stichting Schouwburg Aruba (SSA): a foundation specifically aimed at building the cultural center in order to secure the development, continuation, and promotion of art and culture in Aruba.

The center first opened its doors on November 15, 1958, under the name Cultureel Centrum (Dutch for “Cultural Center”). Later, the foundation adopted its present name Cas di Cultura (Papiamento for “House of Culture”). To this day, Cas di Cultura is owned and managed by SSA. Throughout the years, the foundation has seen many members, including professionals in a variety of fields, all dedicated to ensuring the sustainability of Aruba’s only theater. In recent years, the foundation has broadened its mission by initiating projects that – in addition to being entertaining – are focused on cultural and artistic education. By doing so, Cas di Cultura hopes to further engage the Aruban community, particularly the younger generation, to admire, preserve, and share Aruba’s culture and the arts in general.

Contact

Tel: +297 5821010
Whatsapp: +297 5636105
Stichting Schouwburg Aruba
Vondellaan 2, Oranjestad,
Aruba

Archaeological Investigations on Aruba: The Malmok Cemetery

Archaeological Investigations on Aruba: The Malmok Cemetery

‘Archaeological Investigations on Aruba: The Malmok Cemetery’ is a comprehensive study of a preceramic burial site at Malmok, Aruba, conducted by A.H. Versteeg, J. Tacoma, and P. van de Velde. Published in 1990 by the Archaeological Museum Aruba, this 83-page report delves into the excavation and analysis of 58 graves, providing insights into the burial customs and social structures of Aruba’s early inhabitants.

The study reveals that the Malmok cemetery was used between 450 and 1000 AD. The individuals buried there were typically short and stocky, with adult males averaging 1.57 meters in height and females averaging 1.49 meters. The burial patterns suggest that these early inhabitants traveled in clans of 15 to 30 people, led by an adult male who was buried at the center of the cluster. His elevated status was emphasized by the presence of several stones marking his grave, with the rest of the family group buried around him.
The report also includes a statistical analysis of the distribution of graves and associated grave goods, shedding light on the social dynamics and cultural practices of the preceramic population.

Contents

SUMMARY
ACKNOWLEDGEMENTS

Ch 1 ARCHAEOLOGICAL RESEARCH AND INTERPRETATIONS (A.H. Versteeg)

1.1 Introduction
1.1.1 Geography
1.1.2 History of Research
1.2 The Cemetery at Malmok
1.2.1 Dimensions, no of burials
1.2.2 Information of the Dead
1.2.3 Posture of the dead and grave gifts
1.2.4 The stones on the burials and the status of the individuals
1.3 Formal Disposal of the Dead
1.4 Dating of the Malmok Site
1.4.1 The burials
1.4.2 The shell midden
1.5 Canashitu
1.6 Curacao
1.7 Burial Sites outside Aruba and Curacao
1.7.1 Colombia
1.7.2 Cuba
1.7.3 Skull shape

Ch 2 THE DISTRIBUTION OF GRAVES AND GIFTS: A STATISTICAL ANALYSIS (P. van de Velde)

2.1 Introduction
2.2 The Geographical Distribution of the Graves
2.3 The Use of the Cemetery over Space and Time
2.4 Other Information on the Burials
2.5 Conclusions

Ch 3 THE PHYSICAL – ANTHROPOLOGICAL DATA (J. Tacoma)

3.1 The Skeletons studied; Preservation
3.2 Methods
3.2.1 Sex
3.2.2 Age
3.2.3 Stature
3.2.4 Pathology
3.2.5 Osteometry
3.3 Observations
3.3.1 Children
3.3.2 Adults
3.3.3 Skulls
3.3.4 Dentition
3.4 Conclusions

NOTES
REFERENCES
TABLES

Rotstekeningen van Curaçao, Aruba en Bonaire

Rotstekeningen van Curaçao, Aruba en Bonaire

“Rotstekeningen van Curaçao, Aruba en Bonaire” is een studie die zich richt op de prehistorische en historische rotstekeningen op de eilanden Curaçao, Aruba en Bonaire. Deze tekeningen zijn gemaakt door de oorspronkelijke bewoners, zoals de Caquetío, en weerspiegelen hun culturele en spirituele wereld.

‘Ringma heeft gestreefd naar een inventarisatie van de rotstekeningen op de vindplaatsen welke hij bezocht. De serie schetsen, door hem in het veld gemaakt – door de schrijver aangevuld voor wat betreft enkele vindplaatsen welke niet door hem werden bezocht – vormt de basis van deze verhandeling. Daar het in vele gevallen zeer moeilijk bleek een objectief beeld te krijgen van hetgeen nog van de rotsschilderingen is overgebleven, werden tevens nog enkele schetsen opgenomen, door de schrijver in het veld gemaakt, welke voor een deel aan de hand van foto’s werden bijgewerkt. En tenslotte vinden wij in dit artikel nog een aantal foto’s zelve. Moge de aanschouwing van het materiaal, dat in deze eerste publicatie over oudheidkundige vondsten van leden van de „Natuurwetenschappelijke Werkgroep Nederlandse Antillen” zonder commentaar wordt aangeboden – in samenhang met de bestudering van nog andere overblijfselen van deze verdwenen cultuur – ons iets nader kunnen brengen tot de ons nog zo weinig bekende vroegere bevolking van de Benedenwindse Eilanden!’